A Filmmaker’s Guide
to Shooting in Malaysia

Permits in Malaysia: What You Need to Know

All foreign crew and cast members will need a film permit for shoots taking place in public areas in Malaysia. Working with a local film fixer company, you will have to apply to PUSPAL, which is the Central Agency Committee for Application for Filming and Foreign Artists Presentations, within the Ministry of Communications and Multimedia in Malaysia. Expect your permits to take up to two months to be signed off on.

Timing Your Malaysia Film Production around the Weather

Planning Filming Equipment Rental & Local Crew Logistics

Frequently Asked Questions

Is it an ATA carnet country?

Yes, it is.

Is it safe for me and my team to film there?

Yes.

Do I need a visa or a work visa to film there?

Yes, unless it’s a small project with a crew of 5 people or less.

Do I need a local company to film or get visas there?

Yes, you do. This entails getting a sponsor letter from a local production company in order to apply for permits and a visa.

Do I need a permit for drones?

Yes.

Is there a cash rebate/tax exemption or any other fiscal advantage?

Yes. The Malaysian Government offers a tax rebate of 30% to foreign productions filmed here. Productions must spend a minimum of RM5 million (approximately USD 1.1 million) locally to be eligible.

Can I shoot in a national park and, if so, under what circumstances?

Yes. However, you will need a valid PUSPAL filming permit before you can apply to shoot in a national park. The application for this must be made to PERHILITAN or the relevant State Forestry Department and you might have to pay a fee.

Working with Fixer Malaysia

If you work with us as your production partner in Malaysia, you’ll get the skilled service that your production requires. Over the years, we’ve worked with a wide range of global companies and big-name directors and media platforms.

Among the projects we’re most proud of we include the very successful Daz Games YouTube series (9 million followers), and the acclaimed documentary by filmmaker Jess Kohl for Dazed and Confused Magazine.